Fig. 12From: White, everything white? Josef Frank’s Villa Beer (1930) in Vienna, and its materiality in the context of the discourse on ‘white cubes’Pavel Janák, Brno, fair grounds, pavilion of the Prague School of Applied Arts, 1928, original facade plaster: the surface rubbed, with thin, bright fresco-lime wash, similar to the later one at the house Tugendhat (Source: study work HAWK / Hildesheim, Ivo Hammer, Silke Heinemann and Jan G. Menath, 2005)Back to article page