Fig. 14From: White, everything white? Josef Frank’s Villa Beer (1930) in Vienna, and its materiality in the context of the discourse on ‘white cubes’Dessau, master house Klee / Kandinsky, 1926; the original material-coloured smoothed plaster appears under the recent titanium-white coating, possibly containing a synthetic resin component, in 2006 (Source: Ivo Hammer)Back to article page