Fig. 18From: White, everything white? Josef Frank’s Villa Beer (1930) in Vienna, and its materiality in the context of the discourse on ‘white cubes’Josef Frank and Oskar Wlach, Villa Beer in Vienna-Hietzing (1930), west facade, main entrance, metal door frame, detail with remains of the original ‘Japanese red’ paint (Source: Ivo Hammer 2017)Back to article page