Fig. 20From: White, everything white? Josef Frank’s Villa Beer (1930) in Vienna, and its materiality in the context of the discourse on ‘white cubes’Josef Frank und Oskar Wlach, Villa Beer in Wien-Hietzing (1930), music gallery, ceiling, probe 2017 in the area of the lamp, original yellowish white paint (see Fig. 19) (Source: HABEAS 2017)Back to article page