Fig. 8From: White, everything white? Josef Frank’s Villa Beer (1930) in Vienna, and its materiality in the context of the discourse on ‘white cubes’Ludwig Mies van der Rohe and Lilly Reich, Tugendhat House, Brno (1930), upper terrace, view to the southeast: ‘Archaeological window’ (campione), which shows the original facade surface. The lime wash of the remaining façade surface, re-established according to the historic tradition of repair and renewal, is kept lighter because it darkens as it ages (Source: Ivo Hammer 2012)Back to article page